Updating direct draw

which he had expanded to artworks in which the viewers are outside, and the visible subjects of the art are inside containers and hollow spaces.In the 1990s, he completed several outdoor sculptures in which he explored the use of light (The Star of David (1998) at Stockholm's Raoul Wallenberg Square, Bridge of Light (1998) in Jerusalem), and LED technology, video, and computer design (Gläserne Seele & Mr. Since water is the focus of a fountain, and since Chicago, and especially Millennium Park, is so greatly affected by the nearby waterfront, Plensa sought to create an eternal water work to complement the local natural inspirations.After construction, surveillance cameras were installed atop the fountain, which led to a public outcry (and their quick removal).However, the fountain has survived its contentious beginnings to find its way into Chicago pop culture.

Before it was even built, some were concerned that the sculpture's height violated the aesthetic tradition of the park.Collaboration between the artist, architectural team, and consultants proved to be crucial to the success of the project.The fountain's black granite reflecting pool measures 48 by 232 feet (15 by 71 m) and has an approximate water depth of 0.25 inches (6.4 mm).The firm designed a special stainless steel T-frame both to bear the load of the walls, which are 50 feet (15 m) high, and to withstand lateral wind forces.The frame holds all the glass blocks and transfers the load to the base in a zigzag pattern.

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